A FANTASTIC VINTAGE ORIGINAL PHOTO OF MADGE EVANS, SILENT SCREEN CHILD ACTRESS. PHOTO MEASURING APPROXIMATELY 8X10 INCHESMadge Evans was an American stage and film actress. She began her career as a child performer and model.Madge EvansMadge Evans was an American stage and film actress. She began her career as a child performer and model.
Born as Margherita Evans, Madge Evans was featured in print ads as the ‘Fairy Soap girl’ as an infant. She made her professional debut at the age of six months, posing for artist’s models. As a youth, her playmates included Robert Warwick, Holbrook Blinn, and Henry Hull. When she was four years old, Evans was featured in a series of child plays produced by William A. Brady. She worked at the old Long Island, New York movie studio. Her success was immediate, so much so that her mother loaned her daughter’s name to a hat company. Evans posed in a mother and child tableau with Anita Stewart, then 16, for an Anheuser-Busch Brewing Company calendar, and as the little mountain girl in Heidi of the Alps.
At the age of 8 in 1917, Evans appeared in the Broadway production of Peter Ibbetson with John Barrymore, Constance Collier and Laura Hope Crews. At 17, she returned to the stage and appeared as the ingenue in Daisy Mayme. Some of her best work in plays came in productions of Dread, The Marquis, and The Conquering Male. Her last appearance was in Philip Goes Forth produced by George Kelley. Evans’ mother took her to England and Europe when she was 15.
As a child film actress Evans had quite a prolific career appearing in dozens of films. In 1914 aged 5 she appeared with Marguerite Clark in Seven Sisters, a film with a large female ensemble that had been played on stage with Clark’s rival Mary Pickford and Laurette Taylor in the cast. In 1915 she was with Robert Warwick in Alias Jimmy Valentine, a still extant film that has seen release on home video/dvd. At 14 she was the star of J. Stuart Blackton’s rural melodrama On the Banks of the Wabash. She co-starred with Richard Barthelmess in Classmates.Madge Evans, a popular actress who frequently portrayed the cleancut, decent American woman in films and on stage during the 30's, died of cancer Sunday night at her home in Oakland, N.J., where she had lived for many years with her husband, the playwright Sidney Kingsley. She was 71 years old.
Miss Evans appeared in such films as ''The Greeks Had a Word for Them'' (1932), ''Dinner at Eight'' (1933), ''Stand Up and Cheer'' (1934), ''David Copperfield'' (1935) and ''Pennies from Heaven'' (1936).
On Broadway, she played in ''Daisy Mayme'' (1926), ''Our Betters'' (1928), ''Philip Goes Forth'' (1931), ''Here Come the Clowns'' (1938) and ''The Patriots'' (1943), which was written by Mr. Kingsley.
The actress was born on the West Side of Manhattan on July 1, 1909, and first appeared professionally in an advertisement, as a child model perched on a huge bar of Fairy Soap.
While modeling, she was spotted as a potential child star. At the age of 5, she appeared in a silent-film version of ''The Sign of the Cross'' with William Farnum. By 6, she had acted in 20 films made in studios in Fort Lee, N.J.
At 15, Miss Evans was seen in ''Classmates,'' a film with Richard Barthelmess. In 1926, she made her first stage appearance in ''Daisy Mayme'' and thereafter her career alternated between films and Broadway. The handsome young actress appeared in films with such stars as Spencer Tracy, Bing Crosby, Warner Baxter, John and Lionel Barrymore, James Cagney, Al Jolson, Robert Young, Lee Tracy, Richard Dix and Robert Montgomery.
Dig deeper into the moment.Special offer: Subscribe for $1 a week.While in ''Brief Moment'' at the Ogunquit Playhouse in 1939, the 30-year-old actress was married to Mr. Kingsley. Thereafter, Mr. Kingsley said recently, she devoted much of her time to helping him with the research and writing of his plays. He described her as his collaborator in the theater in every sense.Madge Evans (born Margherita Evans; July 1, 1909 – April 26, 1981) was an American stage and film actress.[1] She began her career as a child performer and model.Contents1 Biography1.1 Child model and stage actress1.2 Film career1.3 Marriage1.4 Radio and television2 Death3 Filmography4 Articles5 References6 Further reading7 External linksBiographyChild model and stage actressBorn in Manhattan,[2] Madge Evans was featured in print ads as the "Fairy Soap girl" when she was two years old.[3] She made her professional debut at the age of six months, posing as an artist's model. As a youth, her playmates included Robert Warwick, Holbrook Blinn, and Henry Hull. When she was four years old, Evans was featured in a series of child plays produced by William A. Brady. She worked at the old movie studio in Long Island, New York. Her success was immediate, so much so that her mother loaned her daughter's name to a hat company. Evans posed in a mother and child tableau with Anita Stewart, then 16, for an Anheuser-Busch Brewing Company calendar, and as the little mountain girl in Heidi of the Alps.Madge Evans (center) in the Broadway production of Peter Ibbetson (1917)
Evans as a child actress with William T. Carleton in Home Wanted (1919).At the age of 8 in 1917, Evans appeared in the Broadway production of Peter Ibbetson with John Barrymore,[3] Constance Collier and Laura Hope Crews. At 17, she returned to the stage and appeared as the ingenue in Daisy Mayme. Some of her better work in plays came in productions of Dread, The Marquis, and The Conquering Male. Her last appearance was in Philip Goes Forth produced by George Kelley. Evans' mother took her to England and Europe when she was 15.
Film careerAs a child, Evans debuted in The Sign of the Cross (1914).[3] She appeared in dozens of films, including with Marguerite Clark in The Seven Sisters (1915). She was featured with Robert Warwick in Alias Jimmy Valentine (1915). At 14, she was the star of J. Stuart Blackton's rural melodrama On the Banks of the Wabash (1923). She co-starred with Richard Barthelmess in Classmates (1924).
She was working on stage when she signed with Metro Goldwyn Mayer in 1927. As with theater, she continued to play ingenue parts, often as the fiancé of the leading man. She played the love interest to both Al Jolson and Frank Morgan in the 1933 film Hallelujah, I'm a Bum.
Working for MGM in the 1930s, she appeared in Dinner at Eight (1933), Broadway to Hollywood (1933), Hell Below (1933), and David Copperfield (1935). In 1933, she starred with James Cagney in the melodrama The Mayor of Hell. Other notable movies in which she appeared are Beauty for Sale (1933), Grand Canary (1934), What Every Woman Knows (1934), and Pennies From Heaven (1936).
In 1960, for Evans' contribution to the motion picture industry, she was honored with a star on the Hollywood Walk of Fame located at 1752 Vine Street.[4]
MarriageIn York Village, Maine on July 25, 1939, she married playwright Sidney Kingsley,[5] best known for his plays Dead End and Detective Story. The couple owned a 250-acre (1,000,000 m2) estate in Oakland, New Jersey. Following her marriage to Kingsley, Evans left Hollywood and moved to this home in New Jersey.
Radio and televisionLater, she worked in radio and television in New York City. Evans performed on the Philco Television Playhouse (1949–1950), Studio One (1954), Matinee Theater (1955), and The Alcoa Hour (1956).[citation needed] She was also a panelist on the 1950s version of Masquerade Party.[6]
DeathEvans died at her home in Oakland, New Jersey from cancer in 1981, aged 71.[2]
FilmographyYear Film Role Notes1914 Shore Acres Mildred 1915 Alias Jimmy Valentine Child locked in vault UncreditedThe Seven Sisters Clara The Master Hand Jean as a child Zaza Child UncreditedThe Little Church Around the Corner Child 1916 The Devil's Toy Betty Sudden Riches Little Emily Husband and Wife Bessie The Revolt Nannie Stevens The Hidden Scar Dot Seventeen Jane Baxter The New South Georgia Gwynne as a child 1917 The Web of Desire Marjorie Maternity Constance The Beloved Adventuress Francine at age 7 The Volunteer Herself The Little Duchess Geraldine Carmichael The Burglar Editha The Corner Grocer Mary Brian at age 8 Adventures of Carol Carol Montgomery The Little Patriot Undetermined role Uncredited1918 Woman and Wife UncreditedThe Gates of Gladness Beth Leeds Wanted: A Mother Eileen Homer True Blue Girl child UncreditedVengeance Young Nan as a girl Stolen Orders Ruth Le Page as a child The Golden Wall Madge Lathroop Neighbors Clarissa Leigh Heredity Nedda Trevor as a child The Power and the Glory Deanie Consadine The Love Net Patty Barnes 1919 The Love Defender Dolly Meredith Three Green Eyes Child Home Wanted Madge Dow 1920 Heidi Heidi 1923 On the Banks of the Wabash Lisbeth 1924 Classmates Sylvia 1930 Envy Helen Short film1931 Son of India Janice Darsey First film for MGMSporting Blood Miss 'Missy' Ruby Guilty Hands Barbara 'Babs' Grant Heartbreak Countess Vima Walden West of Broadway Anne 1932 Lovers Courageous Mary Blayne The Greeks Had a Word for Them Polaire Are You Listening? Laura O'Neil Huddle[7] Rosalie Stone Fast Life Shirley 1933 Hallelujah, I'm a Bum June Marcher Hell Below Joan Standish Made on Broadway Claire offerwell The Nuisance Dorothy Mason The Mayor of Hell Dorothy Griffith Dinner at Eight Paula Jordan Broadway to Hollywood Anne Ainsley Beauty for Sale Letty Lawson Day of Reckoning Dorothy Day 1934 Fugitive Lovers Letty Morris The Show-Off Amy Fisher Piper Stand Up and Cheer! Mary Adams Grand Canary Lady Mary Fielding Paris Interlude Julia 'Julie' Bell Death on the Diamond Frances Clark What Every Woman Knows Lady Sybil Tenterden 1935 Helldorado Glenda Wynant David Copperfield Agnes Age of Indiscretion Maxine Bennett Calm Yourself Rosalind Rockwell Men Without Names Helen Sherwood The Tunnel Ruth McAllan 1936 Exclusive Story Ann Devlin Moonlight Murder Antonia 'Toni' Adams Piccadilly Jim Ann Chester Pennies from Heaven Susan Sprague 1937 Espionage Patricia Booth The Thirteenth Chair Nell O'Neill 1938 Sinners in Paradise Anne Wesson Army Girl Julie Armstrong The term child actor or child actress is generally applied to a child acting on stage or in motion pictures or television, but also to an adult who began their acting career as a child. To avoid confusion, the latter is also called a former child actor. Closely associated is teenage actor or teen actor, an actor who reached popularity as a teenager.
Many child actors find themselves struggling to adapt as they become adults, mainly due to typecasting. Macaulay Culkin and Lindsay Lohan are two particular famous child actors who eventually experienced much difficulty with the fame they acquired at a young age. Many child actors also become successful adult actors as well, a prime example of this being Jodie Foster, who was 12 years old in the film Taxi Driver in 1976 and went on to become an adult star with variety of films including The Silence of the Lambs (1991).Contents1 Regulation1.1 California1.2 United Kingdom2 Issues2.1 Ownership of earnings2.2 Competitive pressure3 Post-childhood success3.1 Other careers4 See also5 References6 External linksRegulationIn the United States, the activities of child actors are regulated by the governing labor union, if any, and state laws. Some projects film in remote locations specifically to evade regulations intended to protect the child. Longer work hours or risky stunts prohibited by California, for example, might be permitted to a project filming in British Columbia. US federal law "specifically exempted minors working in the Entertainment Business from all provisions of the Child Labor Laws." Any regulation of child actors is governed by disparate state laws.
CaliforniaDue to the large presence of the entertainment industry in Hollywood, the state of California has some of the most explicit laws protecting child actors. Being a minor, a child actor must secure an entertainment work permit before accepting any paid performing work. Compulsory education laws mandate that the education of the child actor not be disrupted while the child is working, whether the child actor is enrolled in public school, private school or even home school. The child does their schoolwork under the supervision of a studio teacher while on the set.
United KingdomIn the United Kingdom, a child actor is defined as someone under school leaving age.[1] Before a child can work, they require a performance license from their Local Education Authority as well as a licensed chaperone; a parent can only chaperone their own child, if they are a licensed chaperone, and a chaperone's duties include acting in loco parentis and record arrival and departure time from the work place, the time a child is working, their breaks and the amount of tutoring.[1][2] A child requires three hours minimum of tutoring daily and a lesson must be a minimum of 30 minutes to count towards the total and with regards to 16 and 17-year-olds in further education, considerations are made in regards to their studies.[3]
There are regulations and guidance to safeguard all actors under the age of 18; OFCOM guidance states a child's health and safety, wellbeing and welfare is paramount in television production and factors such as their age, maturity and life experiences can affect their performance.[4] OFCOM also advises that broadcasters undertake risk assessments, consider seeking expert advice and follow best practise.[4]
IssuesOwnership of earningsBefore the 1930s, many child actors never got to see the money they earned because they were not in charge of this money. Jackie Coogan earned millions of dollars from working as a child actor only to see most of it squandered by his parents. In 1939, California weighed in on this controversy and enacted the Coogan Bill which requires a portion of the earnings of a child to be preserved in a special savings account called a blocked trust.[5] A trust that is not actively monitored can also be problematic however as in the case of Gary Coleman who after working from 1974, later sued his adoptive parents and former business advisor for $3.8 million over misappropriation of his trust fund.[6][7]
Competitive pressureSome people[who?] also criticize the parents of child actors for allowing their children to work, believing that more "normal" activities should be the staple during the childhood years. Others[who?] observe that competition is present in all areas of a child's life—from sports to student newspaper to orchestra and band—and believe that the work ethic instilled or the talent developed accrues to the child's benefit.[citation needed]
The child actor may experience unique and negative pressures when working under tight production schedules. Large projects which depend for their success on the ability of the child to deliver an effective performance add to the pressure.[citation needed]
Ethel Merman, who several times worked in long-running stage productions with child actors, disliked what she eventually saw as their overprofessionalization - "acting more like midgets than children" - and disapproved of parents pushing adulthood on them.[8]
Post-childhood success
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Jodie Foster in 1974There are many instances of troubled adult lives due to the stressful environment to which child actors are subjected. It is common to see a child actor grow up in front of the camera, whether in films, television shows or both. However, it is not uncommon to see child actors continue their careers throughout as actors or in a different professional field.
Jodie Foster started acting at age three, becoming the quintessential child actor during the 1970s with roles in films such as Tom Sawyer (1973), Alice Doesn't Live Here Anymore (1974), Taxi Driver (1976), Bugsy Malone (1976), The Little Girl Who Lives Down the Lane (1976), and Freaky Friday (1976). A child prodigy, Foster received her first Academy Award nomination at age 13 and later took a sabbatical from films to attend Yale University. She made a successful transition to adult roles, winning two Academy Awards for Best Actress before the age of 30, and starring in several successful and acclaimed films such as The Accused (1988), The Silence of the Lambs (1991), Nell (1994), Maverick (1994), Contact (1997), and The Brave One (2007), thus establishing herself as one of the most accomplished and sought-after actresses of her generation. She has also ventured into directing and her directing credits include films such as Little Man Tate (1991), Money Monster (2016) and television shows such as House of Cards, Orange Is the New Black, and Black Mirror.
Now adults, Daniel Radcliffe, Rupert Grint and Emma Watson, the three leads of the acclaimed Harry Potter film series (2001–11), starred in all the installments in the series, and have since continued to act in film, television, and theater in their early thirties.
Dakota Fanning rose to prominence after her breakthrough performance at age seven in the film I Am Sam (2001). Her performance earned her a Screen Actors Guild Award nomination at age eight in 2002, making her the youngest nominee in SAG history. She later appeared in major Hollywood productions, in such acclaimed blockbuster films as Man on Fire (2004), War of the Worlds (2005), Charlotte's Web (2006), Hounddog (2007), The Secret Life of Bees (2008), Coraline (2009), The Twilight Saga film series (2009–12), The Runaways (2010), and The Motel Life (2012). Fanning's younger sister, Elle Fanning also rose to prominence as a child actress, having appeared in many films since before she turned three.
Miranda Cosgrove, known mainly for her role on Drake & Josh as a child, gained more attention for her role as a teenager in the show iCarly. Since the end of the show she has been featured in other roles, including as the voice of Margo in the Despicable Me franchise. Once she was of age, she decided to pursue a college degree in film at the University of Southern California.[9]
Shirley Temple became a public figure and diplomat, beginning in the 1960s. Some of her duties included representing the United Nations, and becoming a U.S. ambassador in countries such as Ghana and Czechoslovakia.[10]
Mary-Kate Olsen was treated for an eating disorder, deemed anorexia, but her twin sister remained less troubled. In an article with the magazine Marie Claire, Mary-Kate expressed the bittersweet nature of the twins' childhood. "I look at old photos of me, and I don't feel connected to them at all," she said. "I would never wish my upbringing on anyone... but I wouldn't take it back for the world." The twins now have continued success in the fashion industry with an estimated net worth of approximately $100 million.Since the beginning of her career at age 15 in 1999, Mandy Moore is one of the child stars to have success as an adult.Drew Barrymore started acting at age three. During her childhood she battled with drugs, but today she continues to act in films. Natalie Portman took a small break in acting to get a bachelor's degree in Psychology from Harvard University before continuing her career as an actress. Rider Strong, known as "Shawn Hunter" in Boy Meets World, was educated at Columbia University and now runs a successful blog and published a graphic novel.[11] Neil Patrick Harris got his acting start in Doogie Howser, M.D. He continues to act in television, films and theater.
Jonathan Lipnicki, known mostly for the Stuart Little films, now successfully competes in Brazilian jiu-jitsu.[11] Sara Gilbert is known for her role on Roseanne and is now successful as a talk show host on The Talk. Also from Rosanne, Michael Fishman continued to work in film, but behind the scenes and has since been nominated for an Emmy for the work he did in Sports Science.[11] Kirsten Dunst and Lacey Chabert both made the transition from a child actress to an adult actress with a rough patch including depression. After a stay in a rehabilitation center, Dunst was able to recover and continue her career. She proves that the pressures of growing up under the spotlight may not come without repercussions.[12]
Roddy McDowall, who had a long and distinguished career including as the regular star of the Planet of the Apes series; Micky Dolenz, who started his career as a child star in the 1950s, grew up to be a musician of the successful 1960s pop group The Monkees, which had its own successful television show; Ron Howard, who, in addition to being the star of both of the long running The Andy Griffith Show and Happy Days television series, became an Academy Award-winning director in adulthood; Elijah Wood, who continued his career successfully into adulthood starring as Frodo Baggins in The Lord of the Rings film series and starring as Ryan Newman in the television series Wilfred. Other child actors who have continued their careers into adulthood include Mandy Moore, Rose Marie, Hayley Mills, Ann Jillian, Johnny Whitaker, Kathy Garver, Tim Matheson, Bonnie Franklin, Melissa Gilbert, Danielle Brisebois, Erika Eleniak, Max Pomeranc, Christina Ricci, Shelley Fabares, Candace Cameron Bure, Karron Graves, Gaby Hoffmann, Hilary Duff, Molly Ringwald, Stacy Ferguson, Jennifer Love Hewitt, Lisa Whelchel, Sarah Michelle Gellar, Soleil Moon Frye, Melissa Joan Hart, Dean Stockwell, Kurt Russell, Fred Savage, Neil Patrick Harris, Michelle Chia, Shawn Lee, Joshua Ang, Aloysius Pang, Raven-Symoné and other Academy Award winners and nominees include; Mickey Rooney, Judy Garland, Scarlett Johansson, Jake Gyllenhaal, Joaquin Phoenix, Helen Hunt, Irene Cara, Reese Witherspoon, Hilary Swank, Christian Bale, Saoirse Ronan, Brie Larson, Regina King, Jennifer Lawrence, Emma Stone, Elizabeth Taylor, and Leonardo DiCaprio.
Other careersMany actors' careers are short-lived and this is also true of child actors. Many actors out of personal choice that start their careers as child actors decide not to pursue the same careers as adults, Shirley Temple became a public figure and diplomat. Peter Ostrum, appearing in his only role, the title character of Charlie Bucket in Willy Wonka and the Chocolate Factory became a large-scale veterinarian surgeon. Whilst Jenny Lewis, formerly of film Troop Beverly Hills in 1989, is a well-known singer-songwriter indie rock musician.
In Poland, former child actors and identical twin brothers Lech and Jarosław Kaczyński became successful politicians, at one time Lech being President and Jarosław the Prime Minister.

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