ITEM: itemID 1939 Swedish Pavilion NY Worlds Fair Photo Fountain Courtyard Kodak Velox for sale - Collectorcarsforsale.com
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1939 Swedish Pavilion NY Worlds Fair Photo Fountain Courtyard Kodak Velox for sale

1939 Swedish Pavilion NY Worlds Fair Photo Fountain Courtyard Kodak Velox
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1939 Swedish Pavilion NY Worlds Fair Photo Fountain Courtyard Kodak Velox:
$11.99

This silver gelatin print documents a tranquil vignette within the Swedish Pavilion at the 1939 New York World’s Fair, capturing the intersection of modernist architecture and landscape design that defined the \"World of Tomorrow.\" The composition centers on a sculptural water feature, likely a fountain or reflecting pool, which anchors a courtyard populated by fairgoers enjoying a moment of leisure. In the background, a structure featuring distinctive striped awnings—characteristic of the fair’s temporary yet stylized pavilions—shelters a bustling outdoor café or seating area. The presence of slender, birch-like trees introduces a touch of Nordic flora, reinforcing the national identity of the installation amidst the fairground’s futuristic ethos. The scene is populated by individuals dressed in late-1930s attire, with men in light suits and women in period-appropriate dresses and hats, their postures relaxed as they take in the surroundings.The physical artifact bears the hallmarks of a vernacular snapshot from the era, printed on Kodak Velox paper, a standard for amateur photographers of the time. The image exhibits a softness in contrast and a slight fading in the lighter tones, typical of aged gelatin silver prints. A handwritten annotation, \"Swedish Pavilion,\" appears along the bottom edge of the print, identifying the location with archival precision. The verso features a faint, diagonal watermark of the \"VELOX\" brand and the handwritten notation \"136 A,\" suggesting the photograph was part of a larger, organized sequence or album. The visual evidence of the fair’s layout—specifically the integration of water elements and outdoor gathering spaces—highlights the Swedish commitment to functionalism and social welfare, offering a serene counterpoint to the technological spectacles found elsewhere at the 1939 Fair.
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