LiuLi Crystal Glass Buddhist Diety Statue Of Bodhisattva Quan Yin / Guanyin
This is a souvenir Liuli crystal glass replica of a famous mud statue from the Lower Huayan Monastery in Datong, China.
Identity: The figure depicts a Bodhisattva, a being who has attained enlightenment but postpones Buddhahood to help others achieve nirvana.
The text on the base, translates to "Bodhisattva with clasped hands and exposed teeth," suggesting a specific iconic depiction of a Bodhisattva (Guanyin), who is widely revered and often portrayed with serene and compassionate expressions, sometimes including a gentle smile.
Material: The statue is made of LiuLi glass, a type of colored glaze or crystal glass common in Chinese art, known for its vibrant colors and intricate designs. The blue color in Buddhist art often symbolizes purity, healing, and the boundless nature.
Origin/Style: While the base doesn't explicitly name the artist or manufacturer, the quality and style are consistent with artisanal glassworks, and the specific features align well with Chinese-style Buddhist art.
Significance: As a statue of Guanyin, it represents qualities like compassion, kindness, and mercy, often placed in homes or sacred spaces for spiritual inspiration and protection.
Material:
It is made from Liuli Crystal Glass, known for its high-quality finish and detail.
Subject:
The statue depicts a Liuli Crystal Glass statue of Quan Yin (also known as Guanyin), the East Asian Goddess of Compassion and Mercy.
Origin:
The text on the base indicates these types of statues were originally called a mud statue from the Liao Dynasty, specifically found in the Lower Huayan Monastery in Datong, China.
Smoke free home. Beautiful condition.
History
About the Original Statue:
Name: The "Clasping Hands and Exposed Teeth Bodhisattva” is a prominent Liao Dynasty (907–1125) clay sculpture found in the Sutra Hall (Bojia Jiao Zang Dian) of the Lower Huayan Temple.
Significance: It is particularly renowned for its unique and expressive depiction, notably a subtle smile and visible teeth, which led Chinese historian Zheng Zhenduo to famously call it the "Oriental Venus".
Location: The original statue is part of a collection of 29 Buddhist deities enshrined in the Sutra Hall, symbolizing a scene from the Avatamsaka Sutra.
Artistic Merit: These Liao Dynasty clay sculptures are celebrated for their lifelike features, elegant postures, and exquisite details, showcasing the superb craftsmanship of ancient China.
About Huayan Temple:
Historical Context: Huayan Temple is a large and well-preserved Buddhist temple complex in Datong, established during the Liao Dynasty in 1038 and rebuilt during the Jin Dynasty in 1140 after war damage.
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